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This soap is made with virgin olive oil, coconut oil, palm oil, cocoa manetca, shea butter, beeswax bee, hypericum oil, rosehip oil (rosa rubiginosa), distilled water and NaOH. Rosehip oil combined with hypericum oil has high cellular tissue restructuring properties. Provides elasticity and hydration. Approx. 135 grs.

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VillaFortuna 2010 is a collection ... reduced some of the best soaps, which by its image, its aroma or its balanced combination of ingredients have been selected for this particular collage.

Thanks to everyone that you visit us daily and you participate with your comments.

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Ingredients: olive oil, coconut oil, sunflower oil, palm oil, shea butter, cocoa butter, beeswax, hypericum oil, castor oil , almond oil, avocado oil, wheat germ oil, hazelnut oil, hemp oil, distilled water and NaOH. Scented with essential oils Himalayan cedar, citronella, eucalyptus, lavender, lemongrass, pine and rosemary. A fresh and invigorating soap, ideal for oily and acne, helping to regulate the sebaceous mantle. Has anti-inflammatory and anti-infective for the effect of green clay. Approx. 130 grs.

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Lens focal length approach

A close-up lens is a converging lens that fits like a filter in front of goal and mission is to reduce the focal length of the lens.
The optical properties approach a lens measured in diopters. Diopters close-up lens is defined as the inverse of its focal length (measured in meters). So if we have, for example, close-up lens of 4 diopters, focal length will be 1 / 4, ie 0.25 m. Obviamante
This means that the focal length of this lens is 250 mm.
To fully understand the influence of a close-up lens we simplificar un poco y asumir que tanto ésta como el propio objetivo son lentes delgadas. Aunque no es cierto, ésto nos proporcionará unos resultados aproximados.
En el artículo Fotografía de aproximación: Dispositivos  dedujimos que la ratio de reproducción (o aumento lateral) venía dada por la ecuación:
             s'
  m  =  ----  -  1   (1)
             f
Likewise, Article effective focal length deduced what the effective focal length of two thin lenses close together. If we call Buddha a lens focal length and focal length fl of the lens approximation, there appear formula can be rewritten as:
Buddha. fefec
fl = --------- (2)
for + fl
From here we will work with a specific case will allow us to understand the nature of close-up lenses. The figure at the beginning of the paper addresses this situation.
The Nikon 50 mm. f1.4 has a minimum focusing distance of 450 mm. Imagine threading a lens approximation of 4 diopters, ie 250 mm.
Suppose we place a particular subject at that distance, ie 450 mm.
From the Gauss equation, conveniently written:

Buddha. s
s' = ----------
s - we need to fo
For s = 450 mm. and for = 50 mm.
50. 450
s' = ---------- = 56.25
450-50
This means that when distance approach s is 450 mm, the image is formed on the sensor to 56.25 mm. the target.
In these circumstances, the reproduction ratio calculated by formula (1) gives: m =

56.25 ------ , - 1 = 0.125
50
This corresponds to a reproduction ratio of 1:8, or whatever it is, the image is 8 times smaller than the subject himself.
If we now place the lens approximation 4 diopters, the situation changes. Why?. For now the effective focal length of the set decreases. Do not you believe it? Let the bills.
; ; 250. 50
By Forumula (2) we must fefec = ------------ = 41.6 mm.
; ; 250 + 50
What influence does this?
If otherwise write the equation of Gauss:
fefec
s = -------- . s'
s' - fefec
we can calculate the value that we could place an object that is the image at the same distance s' ( 56.25 mm) which was when we had not placed the lens approximation. Calculate: 41.6

s = ----------------- . 56.25 = 160 mm (approx.)
56.25 - 41.6
This means that we can place an individual in this position will be the same image which was the original subject at 450 mm. However, and this is important, the target "sees" a virtual subject placed at 450 mm. For him things as if there are close-up lens and the subject was placed at 450 mm. But it is not. This situation can be seen from the diagram that heads this article.
What is the significance of this in the ratio of reproduction? Then calculate:
56.25
The new value of m is m = --------- - 1 = 0350
41.6
This not correspond to a reproduction ratio of (approximately) 1:3. Or what is the same, the subject is 3 times higher than its image.
All this comes to say which is the possibility of bringing the subject to target causing an increase in the rate of reproduction. Of course, for the purpose it is as if the subject was placed much farther from the lens and the reproduction ratio was lower.

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effective approach

If we have two converging thin lenses of focal lengths f1 and f2 respective, it is easy to determine what the effective focal length of the set, if the distance d between the optical centers of both lenses is negligible in relation to their focal lengths. That is, both are practically in contact. This will be the situation when we study the case of close-up lenses.
Gauss equation for the lens 1 will be:

1 1 1 --- +
--- --- s1 = f1
s'1 1 1 1
From this it follows that --- = - - - --- (1)
; s1 f1 s'1

La ecuación Gauss lens for it will be 2: 1
January 1
--- + ---- = - -
s2 s'2         f2
                                      1         January 1
From this it follows that --- = --- - ---
s2 f2 S'2
But as the image point to the first lens becomes the object point for the second lens and the distance measured-to-object points from the optical center to the left, you verify that s2 =-s '1.
1 ; 1 1 1 1
Therefore: --- = ---- - --- ; = ---- + ----   (2)
                  s'2       f2      (-s'1)          f2         
s'1
Gauss equation for the combination of both lenses is:
January 1 1
------ = ---- + ----
fefec , s1
S'2
Substituting the values \u200b\u200bof equations (1) and (2) then:
1 , January 1
----- = --- + ----
fefec f1 f2
                                                       f1 f2
o lo que es lo mismo:      fefec =  -----------
                                                    f1 + f2

This equation will allow us to detemine the effective focal length of a lens which has been on the front COUPLING close-up lens.

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Ingredients: olive oil, coconut oil, corn oil, palm oil, cocoa butter, shea butter, beeswax, distilled water and NaOH.
Active Ingredients: Rose Hip Oil (rosa canina) and castor oil.
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Approximate weight

. 120 grs.

A soap designed especially for facial care use, but with possibility to use it to the body.

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Stock: Causes of the blur

In the field of close-up photography, the most important concept to consider is that of Reproduction Ratio, ie "the relationship between the size of the actual subject and its image the sensor. " (See article on photo approach).
In the context of the study on Thin Lenses (See article on Gauss equation ) defined Lateral Increase as "the ratio between the height of the image and the subject's height."
not have to be very insightful to realize that both concepts are equivalent.
this increase was defined lateral m as follows:
and '
m = - ----

and where y 'was the size the image and where and was the size of the subject.
In this article presented the so-called Gauss equation of a thin lens:
January 1 1
---- + ---- = ----
s , s' f
where:
a) s is the distance from subject to optical center of the lens.
b) s' is the distance from the image to the optical center of the lens.
c) f is the focal length of the lens.
In the article on the image plane position and lateral magnification introducing two important observations:
NOTE 1:
When the focal plane is between infinity (∞) and 2 times the focal length, image plane is a distance between 1 and 2 focal lengths.
NOTE 2:
a) If the focal plane is between ∞ and 2 times the focal length is verified that the lateral magnification m is less than unity, which means that the image of the subject is less than the subject itself. This is unusual in photography.
b) If the focal plane is 2 times the focal length is verified that the lateral magnification m is equal to unity.
response to this pair of observations may seem to get pictures of approximation (with reproduction ratios between 1:10 and 1:1) would be feasible for any purpose. To this should be enough to focus at a distance slightly higher than the 2 focal lengths, which would guarantee us getting close to 1 side increases, or what is the same as the size of the image of the subject were somewhat less or equal to the size of one's subject. But it is not .
The reason is simply that the goals can not "focus" very close distances. Depending on cases, between 5 and 15 times the focal length. Or what is the same convergent properties of the targets do not get the rays of light coming out of a point converge into a single image point.
Then: How to achieve breeding ratios in the field of close-up photography?
To understand how this can be done, we must start from the Gauss equation.
1 1 1
As --- + --- = --- if we multiply both sides by s':
, s s'       f

 s'         s'      s'                                      s'      s'
---  +  --- = ----    o, lo que es igual:    --- = ---  - 1
  s         s'      f                                       s       f
In the following figure:

can be seen that in similar triangles ABO and A'B'O verifies that:

A'B 'and' OB 's'
--- = --- = --- = ---
AB , and OB s
; and 's'
Thus m = --- = --- - 1
and f ;

At this point, it should be clear that for increasing m, there are only two possible ways: Either we increase s' or disiminuimos f.
Each of the devices that allow for photos you choose to approach one of these ways:
1) extension rings
These devices are placed between the lens and camera body and their only mission is to remove the sensor from the optical center of the target, thus increasing the value s'. You will find many sites on intenet which displays photographs of various models.
2) Lens approach
This device, similar in appearance to a filter and screw it onto the front of the lens, has a more complex optical properties and will be explained in detail in a later article. It is based on reducing the focal length.

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Devices

A picture may be blurred due to one of three causes:

a) blur due to depth of field

Gate access. University building (Albacete)

In such cases the blur is selective. That is, a part of the picture appears in focus-that which is within the limits of the depth of field, and the rest appear blurred. The photographer selects the subject and isolates it from the environment. In the picture above we have used the Nikon 50mm. f1.4 due to its large maximum aperture allows you to isolate a small portion of the rest of the scene. The limits of the depth of field is achieved with a judicious use of three different parameters:
focal length, focus distance and aperture. The use of selective blurring is an extremely important tool in the process of realization of the creativity of the photographer.

b) due to motion blur (camera shake) camera.

Cyclists. Ayna (Albacete)

is usually an error when capturing a photo. The most common is the desire of the photographer is to stabilize the camera up to prevent this from happening. But sometimes that can be used as a creative resource. In fact, for several years, the presentations were full of photographs intentionally moved, because this way you can get some aspect of abstract painting. But if you abuse this possibility, just by tiring. The vast majority of the pictures I have obtained in these circumstances I have seen pictures failed, but in some cases very specific, as the head of this paragraph, maybe I could appreciate a certain aesthetic value.

c) blur due to subject movement.

Luis Camoes Square. Lisbon (Portugal)

Here things are clearer. If the main subject of a photograph is blurred due to its own motion, making has become faulty. However, it is important to understand that other parts of the scene can be blurred without compromising the validity of the photograph. A fairly common example can be seen that this situation is that which corresponds to the picture above this paragraph. Here the subject is the same town and it has been necessary to use a tripod and long shutter speed, due to the limited light available. In these circumstances, people will blur if you have had some kind of movement. But the main subject is not them, but the square itself. And therefore, does not mean its unfocused decision was flawed.